Inhwa Yeomâs SAUNA LAB: Becoming Human-Fish (2025) is a multi-channel video installation linking Hong Kongâs Lo Ting merfolk folklore, microplastics, and bodily adaptation.
Author Archives: Inhwa
SAUNA LAB: Flowers of Hot Spring
Inhwa Yeomâs SAUNA LAB: Flowers of Hot Spring (2024) is a multi-channel video installation connecting Hualienâs hot-spring cultures, ageing, collective care, and post-extractive climate futures.
Dreaming Chandra (D.C.)
Inhwa Yeomâs 2025 media-wall video follows Chandra surfing the Neuroverse beyond labour, administration, and the official chronicle.
On My Way
On My Way is Inhwa Yeomâs ongoing VR performance environment exploring transition, movement, and the embodied sensation of being in between.
Wobble
Inhwa Yeomâs 2022 VR performance environment Wobble transforms voice and breath into forces that reshape an immersive virtual space.
Innerveauty Spa
Innerveauty Spa (2023) by Korean artist-engineer Inhwa Yeom is an XR installation on ageing, beauty, biotechnology, care, and cognitive difference.
Diva Spectra
Inhwa Yeomâs Diva Spectra (2024) is a single-channel video installation exploring light and fluid identities across material, cultural, and perceptual spectra.
Soma X Chandra
Soma X Chandra brings together Inhwa Yeomâs recurring virtual characters across XR, performance, moving image, and interactive environments.
Water on Fire series
Inhwa Yeomâs Water on Fire series (2021â25) is a single-channel video installation exploring fusion and coexistence through apparatuses and moving images.
Imposter Kitchen
Inhwa Yeomâs 2022â23 VR and installation work examines food, biotechnology, imitation, and embodied participation.
Dreaming Chandra: Still in Neuroverse
Inhwa Yeomâs Dreaming Chandra: Still in Neuroverse (2025) is a single-channel video and media façade about heterogeneous neural rhythms and coexistence.
Somaâs Garden
Inhwa Yeomâs 2023 XR and audiovisual performance environment explores embodied coexistence, planetary imagination, and shared rhythms.
Koko Killing Island: Tour dâEpicure
Koko Killing Island: Tour dâEpicure (2022) by Korean media artist Inhwa Yeom is an interactive VR installation on climate crisis, virtual tourism, consumption, and displacement.
SAUNA LAB series
Inhwa Yeomâs SAUNA LAB series (2024â25) imagines a climate-crisis research institute joining hot-spring culture, community, science, and alternative knowledge.
Solarsonic Band (Inst.)
Inhwa Yeomâs Solarsonic Band (Inst.) (2025) is a single-channel video and media façade in which climate-responsive instruments perform without human presence.
Solarsonic Band
Solarsonic Band (2024â25) by Korean media artist Inhwa Yeom is a participatory XR installation and climate rehearsal connecting virtual band members, instruments, data, and audiences.
Phantom Dining
Phantom Dining (2025) by Korean AI artist Inhwa Yeom and BiOVE is an XR installation on appetite, memory, biotechnology, care, and multisensory dining.
War Dance
War Dance (2025) is AI video art by Korean media artist Inhwa Yeom on reproductive politics, trans-parenthood, care, refusal, and Asian womxnâs realities.
Solarsonic Band: In Transit
Inhwa Yeomâs Solarsonic Band: In Transit (2026) transforms Incheon Airportâs 77.2 Ă 4.3 m panoramic LED screen into a journey of climate adaptation.
Takeaway: Love, Peace, Hospitality
Inhwa Yeomâs 2026 mixed-media installation at Incheon Airport asks what humanity must carry into a new world: love, peace, and hospitality. ìŒìžíì ìžìČêł”í ì€ìčìí.
Chandra Chronicles: in Neuroverse
Chandra Chronicles by Korean media artist Inhwa Yeom is an AI/XR art series on neural ageing, cognition, memory, care, labour, and transformation.
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Media: 3D Performative Apparatus-Environment, Variable Installation
Chandra X
Media: 3D Performative Apparatus-Environment, Variable Installation
2021 Chandra X, Art Change Up Grant, Arts Council Korea (ARKO)
Media: 3D Performative Apparatus-Environment (WebAR-VR in interoperable settings)
Chandraâs Signal
Media : Interactive game and variable installation in digital-twin based XR environmentÂ
2021 Chandra’s Signal, Laboratory Residency, Spokane-Remote
Media : Interactive game in a cross-device WebXR (WebVR-Mobile AR) environmentÂ
Media Sound Art by Paul Bazooka
2021 ACC Teen Art Lab : Creative Coding with p5.js
Invited by Asia Culture Center (ACC)
Corea Impact 2020
Martial Arts x AR Projection Mapping Performance, , invited by Ministry of Culture, Sports, Tourism & Korea Creative Contents Agency (KOCCA)
đż 2021, XR-based Digital Twin Exhibition, KAIST AR Research Center
Inhwa Yeom, XR-based Digital Twin Exhibition of KAIST Vision Hall KAIST AR Research Center (ARRC) Project Website here Credit Designed, developed, maintained by Inhwa YeomSupports & Collaboration : KAIST AR Research Center, KAIST Academic Information Development Team, AST Inc.
đ 2021 IEEE VR, Digital Twin as A Mixed Reality Platform for Art Exhibition Curation
[POSTER] To be presented at 2021 IEEE VR in April [DEMO VIDEO] To be presented at 2021 IEEE VR in April Inhwa Yeom, Woontack Woo. âDigital Twin as A Mixed Reality Platform for Art Exhibition Curationâ, 2021 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), 2021
đ 2021 HCI Korea proceedings, Digital Twin Museum as a Creativity Support System for Curators
ìŒìží(Inhwa Yeom), ì€íì(Hyongseok Yoon), ì°ìŽí(Woontack Woo). (2021). ëì§íž ížì 믞ì êŽ êž°ë° ì ì ì°œì ì§ì ìì€í êłŒ ìŹì©ì ì°ê”Ź(Digital Twin Museum as a Creativity Support System for Curators). íê”HCIíí íì ëí(in proceedings of HCI Korea), 426-429. DBpia This paper proposes a digital twin-based museum exhibition planning and simulation system, with an aim to enhance arts museum curator’s capability in creating exhibitions. AlthoughContinue reading “đ 2021 HCI Korea proceedings, Digital Twin Museum as a Creativity Support System for Curators”
Protected: đ 2020 Tutorial Design: HMD AR Interactions for Older Adults
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Protected: đ 2020, Accessible 3D Authoring for MR Environment (Under Review)
There is no excerpt because this is a protected post.
2019 “AR Shopping System for Wheelchair Users”
đ„ 2019 SK Creative Challenge Award (Silver) by SK Telecom, SK HCI-UX Lab, SK AI Center
đ 2020 HCI Korea proceedings, User Engagement via Multiple Curatorial Simulations on Virtual Museums
Sponsored by “C-Arts Lab Project” of Daejeon Cultural Foundation & Ministry of Culture, Tourism, Sports
2020 “50+ Coding Club: My Very First Coding Art with Handyđ and Familyđ©âđ§âđŠ” Workshop @ Asia Culture Center(ACC)
Supported by Asia Culture Center (ACC), Organized by Lee Kang Ha Arts Museum
2020 âïž Google Summer of Code – Processing Foundation “p5 for 50+ teaching”
PROJECT PAGE, Project Wrap-Up Post: GitHub
2020 Co-Presenter, JavaScript Korea Conference, South Korea
p5 for 50+: How to Include Older Adults to Coding Education? âp5 for 50+â is a 2020 Processing Foundation Fellowship project. It aims to improve the digital literacy and rights of middle-aged and older adults in South Korea â with p5.js! Addressing some age-specific needs in coding education, we prototyped a low-barrier web app forContinue reading “2020 Co-Presenter, JavaScript Korea Conference, South Korea”
Project Errmoji
generative drawing based on machine learning, digital print
2020 Korean Translation of p5js.org
SUPPORTED BY Processing Foundation SKETCH CREDIT Seonghyeon Kim Interview on translation (en) (ko)
After Chandra
Supported by KAIST GSCT
2017 Presenter, Harvard East Asia Society Conference, Harvard University
AUTHOR of âOn Image-Signs of <The Amrita Painting>(1939) at Heungcheon Templeâ(2017) CONFERENCE ARCHIVES
2020 Processing Foundation Fellowship “p5 for 50+”: Web App for an Accessible Learning of Creative Coding
CO-PROJECT LEAD with Seonghyeon Kim MENTOR Qianqian Ye ADVISOR Lauren McCarthy SUPPORTED BY Processing Foundation PROJECT WEBSITE
Magic Performance Ă AR Projection
VIDEO & HOLOGRAM DIRECTOR, PRODUCER, TECHNOLOGIST in 6 performances of Taehong Lim & L’Illusion
2020 dSketch: Crowd-Sourced Interactive Sketchbook for People with Developmental Impairment
PROJECT LEAD, PLANNER, DESIGNER, DEVELOPER, EVALUATOR Sponsored by KAIST K-School dSketch is an web-based application that supports the design collaboration and production between creators with developmental impairment and creative coders. When a programmer creates a sketch based on creative coding, a creator with developmental impairment can produce a design outcome by adding an interaction onContinue reading “2020 dSketch: Crowd-Sourced Interactive Sketchbook for People with Developmental Impairment”
2019 Invited Artist, âImpact X Festivalâ, Korea Creative Content Agency (KOCCA)
Sponsored by Korea Creative Contents Agency (KOCCA)
TechiEon
Sponsored by Korea Creative Contents Agency, Sungkyunkwan Univ. Research & Business Foundation, PMC Production
2018 Group Artist, Gyeonggi Millenium Docu-FestaăGyeonggi Archives_nowă
Sponsored by Gyeonggi Province, Gyeonggi Museum of Art
III-Iteracy
Part of “Smarter Home(2020)”, Lauren McCarthy
2019 Project Lead, “Media Art Workshop for Artists”, with Arts Council Korea
Sponsored & Supported by Arts Council Korea
2019 Special Assistant, ZERO1 American Arts Incubator (AAI) Workshops “Smarter Home”
Project Lead: Lauren McCarthy Assistantship in translation, artwork production, video production
2018 Co-Curator & Organizer, âYeji-ryeok x Bidulgi Production: Cross-Pollinated Camera Lensesâ Workshop
Sponsored by Seoul Museum of Art
2018 Chief Curator & Organizer, âRoad Classesâ Workshops of The Novice Schoolđ«
Supported by University of Seoul Sponsored by Gyeonggi Province, Gyeonggi Museum of Art
2018 Emerging Curator, Seoul Museum of Art
Sponsored by Seoul Museum of Art
2017-8 Chief Curator, The Novice Schoolđ«: an artist-run alt school
RESEARCH GRANT (16M KRW) by Gyeonggi Province, Gyeonggi Cultural Foundation (GGCF) CURATOR of âYeji-ryeok x Bidulgi Production: Cross-Pollinated Camera Lensesâ Workshops, Seoul2018 CURATOR of âRoad Classesâ Workshops of The Novice School, Seoul & Gyeonggi Province
2017 Seoul Young Artist, Seoul Metropolitan Government
Sponsored by Seoul Metropolitan Government for 6 exhibitions & performances