Featured
Works
☸️ 3D Performative Apparatus-Environment (XR-based interactive system)

2022-23 Imposter Kitchen
🔗 Artwork description here
📸 More photos of the works at
《Artience Daejeon》(2022), DCF, Daejeon
《Imposter Kitchen》(2022-23), Space:illi, Seoul
《Phantom Sense》(2023), Platform-L, Seoul (*TBU)

2022 Koko Killing Island: Tour d’Epicure
🔗 Artwork description here (*TBU)
📸 More photos of the works at
《PROJECT HASHTAG》(2022-23), MMCA Korea, Seoul (*TBU)

2022 The Hamptons Festival of Music, NY
Featured <Wobble>(2022), a 3D Performative Apparatus-Environment, as a real-time sound-Interactive artwork for Henry Cheng & Joanne Kim’s curatorial performance with classical orchestra
2022 Water on Fire: An Hommage to Every Terrifying Angel
As a part of <Water on Fire>(2021-22) series was exhibited at 《10 Moons and 3 Tunnels》, Total Museum of Contemporary Art, Seoul

2021-22 Chandra X
🔗 Artwork description here (*To-Be-Updated)
📸 More photos of the works at
《마믅소리 MMSR》(2022), Artspace Boan, Seoul
《SIGGRAPH Asia》(2022), EXCO, Daegu
Exhibition
& Performance
Solo
2022-23 《Imposter Kitchen》, Space : illi, Seoul (2022.12.20-2023.01.14)
2022 《열 개의 달: 물에서 타는 불 (Ten Moons: Water on Fire)》, Gallery MeiLan, Seoul, directed by Sukyung Hwang supported by Arts Council Korea (ARKO)
2021 Director & WebXR and Web Artist, <Chandra X> (supported languages: 한 | 𝓔𝓝 | 中 | 日 | ไทย | Việt ), 3D Performative Apparatus-Environment, Arts Council Korea (ARKO) “Art Change Up”
Group
2022-23 Invited Artist, 《Phantom Sense》, Platform-L by Louis Quatorze Foundation, Seoul (2022.03.24-2023.06.284)
2022-23 Participating Artist, Group Exhibition 《열 개의 달과 세 개의 터널 10 Moons and 3 Tunnels》 directed by Sukyung Hwang, Total Museum of Art, Seoul (2022.12.17-2023.01.14)
2022-23 Collective Crypton, <Koko Killing Island>, 《PROJECT HASHTAG 2022》 hosted by MMCA Korea, sponsored by Hyundai Motor Company (2022.11.06-2022.04.09)
2022 Accepted Artist, Chandra X, WebXR & 3D Performative Apparatus-Environment, SIGGRAPH Asia 2022 Art Gallery, Daegu (avg. review score: 4.0/5.0)
2022 Participating Artist, <Imposter Kitchen>, 《Artience Daejeon》, supported by Daejeon Cultural Foundation, in collaboration with Korea Research Institute of Bioscience and Biotechnology (KRIBB)
2022 Participating Artist, <Amulet for Love>, 업비트 (Upbit) NFT curated by LTBA x Video Bites of 티핑포인트스페이스(TPS) (* Sold out 20/20 Drops)
2022 Participating Artist, <Amulet for Love>, 3D Digital Amulet as NFT & Lenticular Cards, 《비디오바이츠 VIDEO BITES 2022》 hosted by 티핑포인트스페이스(TPS) @ Platform-L of Louis Quatorze Foundation
2022 Collaborative Artist, (2022), 3D Performative Apparatus-Environment, as a part of Henry Cheng & Joanne Kim‘s (2022) at The Hamptons Festival of Music(THFM)), NY, USA
2022 Presenter & Performer, 3D Performative Apparatus-Environment, Monday Salon, Total Museum of Contemporary Art
2022 Collective Crypton, <워블 (태초에 리듬이 있었다) (Wobble (There Was Rhythm in the Beginning)> 《Beyond The Scene: 제3회 BTS글로벌 학제간 학술대회특별전 (The 3rd BTS Global Interdisciplinary Conference Special Exhibition)》, Total Museum of Contemporary Art
2021-22 Collaborative Curator, 《A PLAYERS: 蠱毒한 PLAYER (고독한 플레이어)》, 대안공간루프(Alternative Space Loop), Seoul
2021-22 Participating Artist, 《마믅소리 (MMSR)》, Boan 1942 Artspace Boan 2, Seoul, supported by Seoul Cultural Foundation (SFAC) Unfold X Grant
2021 Participating Artist, <Thriving Essentials>, 3D Performative Apparatus-Environment, Artience Daejeon 2021 in collaboration with Korea Research Institute of Bioscience and Biotechnology (KRIBB)
2021 Participating Artist, <Drop Frame: Abstract Composition #17892>, 《KARTZ: Art Shapes the Future》 Curated by Nod·al (Sukyung Hwang & Yoonjeong Koh), Hosted by Art Token Global
2021 Participating Artist & Finalist, 2021 Ars Electronica Festival .ART Gallery, concretehouse.art
2021 Participating Artist, <This is Not A Game>, UNESCO Creative Cities Policy Forum (Director: Paul Bazooka)
2021 Participating Artist <Chandra’s Signal> as part of <SOS>, 《게임과 예술: 환상의 전조 (Game & Art : Auguries of Fantasy)》, Daejeon Art Center, Daejeon Museum of Art
Residency
2023 Resident Artist, ACC Residency “Futures of Listening“, Asia Culture Center, Gwangju
2022 Resident Collective (Collective Crypton), MMCA Korea Changdong Residency as a part of PROJECT HASHTAG hosted by MMCA Korea, sponsored by Hyundai Motor Company
2021 Resident Artist, Spokane Interactive Art Laboratory Residency 2021-Spring, Washington, USA-remote
Technical Director
& Engineer
2022 VR Engineer of <Splint>, 《MMCA Goyang Residency Open Studio: Iridescent》, MMCA Goyang Residency, Goyang (Director & Artist: Bigo)
2022 AR Engineer of 《Cosmic Dust》, Post-Territory Ujeongguk, Seoul (Director & Artist: Bora Kang)
2022 Web Developer of 《두 비트 사이의 틈 Between Two Beats》, Gallery Meilan & Total Museum of Contemporary Art, Seoul ( Director: Yoonjeong Koh)
2022 WebXR Director and Developer of 《열 개의 달과 세 개의 터널 10 Moons and 3 Tunnels》, Gallery Meilan & Total Museum of Contemporary Art, Seoul (Director: Sukyung Hwang)
2021-22 Tech Director of Collective Crypton and Developer of WebXR and XR-based assistive devices, 《마믅소리 (MMSR)》, Boan 1942 Artspace Boan 2, Seoul, supported by Seoul Cultural Foundation (SFAC) Unfold X Grant
2021 WebVR Artist & Engineer, <Simulation> by L’Illusion (Director & Illusionist: Taehong Lim)
2021 AR Engineer, 《Spiraling into the slippery edges of a hole》 (Director & Artist: Inyoung Yeo)
2021 Digital Twin Engineer & Researcher of <A-Museum : WebVR-based Interactive Viewers for Digital Twin Museum>, Hee Young Kim’s 《AR Meta-Four Seasons》, KAIST Academic Cultural Complex, Daejeon & Digital Twin
Featured
Interviews
Archived
Projects
☸️ Interactive Video Art, Projection Mapping | 👥 Curatorial Activities | 📝 Arts Paper
2017-20
2017 Presenter, Harvard East Asia Society Conference, Harvard University
AUTHOR of “On Image-Signs of <The Amrita Painting>(1939) at Heungcheon Temple”(2017) CONFERENCE ARCHIVES
2017 Seoul Young Artist, Seoul Metropolitan Government
Sponsored by Seoul Metropolitan Government for 6 exhibitions & performances
2018 Emerging Curator, Seoul Museum of Art
Sponsored by Seoul Museum of Art
2018 Group Artist, Gyeonggi Millenium Docu-Festa《Gyeonggi Archives_now》
Sponsored by Gyeonggi Province, Gyeonggi Museum of Art
III-Iteracy(2019), Local Artist at 25th International Symposium for Electronic Arts (ISEA)
Part of “Smarter Home(2020)”, Lauren McCarthy
TechiEon(2019), Group Performance at Ars Electronica Festival, Linz, Austria
Sponsored by Korea Creative Contents Agency, Sungkyunkwan Univ. Research & Business Foundation, PMC Production
2019 Invited Artist, “Impact X Festival”, Korea Creative Content Agency (KOCCA)
Sponsored by Korea Creative Contents Agency (KOCCA)
2019-20 🔮 Magic Performance x AR Projection with I’Illusion
VIDEO & HOLOGRAM DIRECTOR, PRODUCER, TECHNOLOGIST in 6 performances of Taehong Lim & L’Illusion
After Chandra(2020),《Generative Image》, PlaceMak, Seoul
Supported by KAIST GSCT
Project Errmoji (2020), Ars Electronica .ART Global Gallery
generative drawing based on machine learning, digital print
2020 Invited Artist, “On:Hallyu Festival”, Korea Creative Content Agency (KOCCA)
Martial Arts x AR Projection Mapping Performance, , invited by Ministry of Culture, Sports, Tourism & Korea Creative Contents Agency (KOCCA)
2021 Chandra’s Signal, Laboratory Residency, Spokane-Remote
Media : Interactive game in a cross-device WebXR (WebVR-Mobile AR) environment Media Sound Art by Paul Bazooka
2021 Chandra’s Signal, Game & Art: Auguries of Fantasies, Daejeon Museum of Art
Media : Interactive game and variable installation in digital-twin based XR environment